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| − | Info from Roll20, needs to be converted
| + | Bards use the power of words and musical notation to cast a plethora of useful spells. Their natural charisma and ability to inspire those around them makes them desirable allies. |
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| − | ==Proficiencies== | + | ==Bards in Arthos== |
| − | '''Saving Throws:''' Dexterity, Charisma. '''Skills:''' Choose any three. | + | ''<blockquote><big>"Yes, the world itself has a rhythm. The tempo changes with her mood and you just have to listen for that; be a good listener. More importantly you have to bring something of your own to the conversation, a creative spark, a vulnerability. It's not enough to just play the tempo back. You have to add a melody and that takes guts to 'yes and' to your muse like that. To go off the script. But when that magic happens, the bliss is palpable like first love. That's why bards do what we do."<br> |
| | + | : ''—Heinja Kord, lyrist</big></blockquote> |
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| − | I know this is the wrong table, I just need a placeholder.
| + | ===Practice=== |
| − | {| class="wikitable" border="1"
| + | To become a bard is to access the magic of [[The Source]] through a creative means. Most often this talent manifests through musicality. As part of their training, bards will be expected to learn an instrument and/or hone their singing. While anyone can be taught musical technique, the intuition to channel Arthos' [https://arthoslibrary.com/wiki/The_Source#The_Heartbeat heartbeat] must come through sincere focus. For those who discover the tempo, whether they realize it or not, it becomes a lucrative profession and a lifelong passion. |
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| − | ! Level
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| − | ! Proficiency Bonus
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| − | ! Features
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| − | ! Rage Bonus
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| − | | 1
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| − | | 2
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| − | | Rage, Unarmored Defense
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| − | | 2 Actions
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| − | |-
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| − | | 2
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| − | | 2
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| − | | Reckless Attack, Danger Sense
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| − | | 2 Actions
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| − | |-
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| − | | 3
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| − | | 2
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| − | | Primal Path
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| − | | 3 Actions
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| − | |-
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| − | | 4
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| − | | 2
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| − | | Ability Score Improvement
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| − | | 3 Actions
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| − | |}
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| − | ==Abilties== | + | ===Performers=== |
| | + | In order to earn a living, bards often get their start working as regular musicians. They may work as soloists, buskers, or band members playing for passersby or tavern guests. So long as people are present to appreciate the bard's craft, they can at least scrape together a modest living and hone their craft in the process. |
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| − | ===Bardic Inspiration=== | + | ===Court Musicians=== |
| | + | For many, the ultimate goal of performing professionally is to land a job playing for the outrageously wealthy and privileged. The allure of gaining such high prestige and salary makes it a competitive position that few achieve. In addition, suitably powerful court musicians can protect their audience from magical ambush in lieu of a [https://arthoslibrary.com/wiki/Wizard#Court_Wizards court wizard], an oft unappreciated benefit of having loyal bards on your payroll. |
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| − | You can inspire others through stirring words or music. To do so, you use a Bonus Action on Your Turn to choose one creature other than yourself within 60 feet of you who can hear you. That creature gains one Bardic Inspiration die, a d6.
| + | ===Orators=== |
| | + | Orators, sometimes referred to as "poets" by the bardic community, are bards who use the art of language itself to fuel their magic. They accomplish this by perfectly timing their spoken meter to Arthos' [https://arthoslibrary.com/wiki/The_Source#The_Heartbeat heartbeat]. Orators can be outrageously charismatic figures, insinuating themselves into the social fabric as politicians, religious leaders, and revolutionary thinkers.<br> |
| | + | <small>Note: Some [[player characters]] are listed as Orators. This refers to a depreciated homebrew class from an earlier version of Arthos' game system.</small> |
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| − | Once within the next 10 minutes, the creature can roll the die and add the number rolled to one ability check, Attack roll, or saving throw it makes. The creature can wait until after it rolls the d20 before deciding to use the Bardic Inspiration die, but must decide before the DM says whether the roll succeeds or fails. Once the Bardic Inspiration die is rolled, it is lost. A creature can have only one Bardic Inspiration die at a time.
| + | ===Bardic Artists=== |
| | + | An extremely rare variation of bard are those who work within the visual arts: painters, sculptors, even architects. These bards tend to be humble compared to musical bards, especially given how their art lacks the immediacy required for bardic magic in practical applications. For this reason, they are unlikely to become adventurers. |
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| − | You can use this feature a number of times equal to your Charisma modifier (a minimum of once). You regain any expended uses when you finish a Long Rest.
| + | ===Adventurers=== |
| | + | Bards are the darlings of adventuring parties. Their charisma makes them natural candidates for the 'face' of the group and their largely supportive repertoire slots them neatly into any party composition. Bards who turn to adventuring are likely seeking wealth, fame, or inspiration. Though any number of personal reasons can push a bard out of their safety zone. |
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| − | Your Bardic Inspiration die changes when you reach certain levels in this class. The die becomes a d8 at 5th level, a d10 at 10th level, and a d12 at 15th level.
| + | ==Resources== |
| − | | + | *[https://roll20.net/compendium/dnd5e/Bard#content Roll20 Compendium] |
| − | ===Spellcasting===
| + | *[https://www.dndbeyond.com/classes/bard/ D&D Beyond] |
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| − | You have learned to untangle and reshape the fabric of reality in harmony with your wishes and music. Your Spells are part of your vast repertoire, magic that you can tune to different situations. See chapter 10 for the general rules of spellcasting and chapter 11 for the bard spell list.
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| − | ====Cantrips====
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| − | You know two Cantrips of your choice from the bard spell list. You learn additional bard Cantrips of your choice at higher levels, learning a 3rd cantrip at 4th level and a 4th at 10th level.
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| − | ====Spell Slots====
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| − | The Bard table shows how many Spell Slots you have to cast your Spells of 1st level and higher. To cast one of these Spells, you must expend a slot of the spell's level or higher. You regain all expended Spell Slots when you finish a Long Rest.
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| − | For example, if you know the 1st-level spell Cure Wounds and have a 1st-level and a 2nd-level spell slot available, you can cast Cure Wounds using either slot.
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| − | ====Spells Known of 1st Level and Higher====
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| − | You know four 1st-level Spells of your choice from the bard spell list.
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| − | You learn an additional bard spell of your choice at each level except 12th, 16th, 19th, and 20th. Each of these Spells must be of a level for which you have Spell Slots. For instance, when you reach 3rd level in this class, you can learn one new spell of 1st or 2nd level.
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| − | Additionally, when you gain a level in this class, you can choose one of the bard Spells you know and replace it with another spell from the bard spell list, which also must be of a level for which you have Spell Slots.
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| − | ====Spellcasting Ability====
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| − | Charisma is your spellcasting ability for your bard Spells. Your magic comes from the heart and soul you pour into the performance of your music or oration. You use your Charisma whenever a spell refers to your spellcasting ability. In addition, you use your Charisma modifier when Setting the saving throw DC for a bard spell you cast and when Making an Attack roll with one.
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| − | Spell save DC = 8 + your proficiency bonus + your Charisma modifier
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| − | Spell Attack modifier = your proficiency bonus + your Charisma modifier
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| − | ====Ritual Casting====
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| − | You can cast any bard spell you know as a ritual if that spell has the ritual tag.
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| − | ====Spellcasting Focus====
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| − | You can use a musical instrument (see "Equipment") as a spellcasting focus for your bard Spells.
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| − | ===Jack of All Trades===
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| − | Starting at 2nd level, you can add half your proficiency bonus, rounded down, to any ability check you make that doesn't already include your proficiency bonus.
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| − | ===Song of Rest===
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| − | Beginning at 2nd level, you can use soothing music or oration to help revitalize your wounded allies during a Short Rest. If you or any friendly creatures who can hear your performance regain hit points by spending Hit Dice at the end of the Short Rest, each of those creatures regains an extra 1d6 hit points.
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| − | The extra hit points increase when you reach certain levels in this class: to 1d8 at 9th level, to 1d10 at 13th level, and to 1d12 at 17th level.
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| − | ===Bard College===
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| − | At 3rd level, you delve into the advanced techniques of a bard college of your choice, such as the College of Lore. Your choice grants you features at 3rd level and again at 6th and 14th level.
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| − | ===Expertise===
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| − | At 3rd level, choose two of your skill proficiencies. Your proficiency bonus is doubled for any ability check you make that uses either of the chosen proficiencies.
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| − | At 10th level, you can choose another two skill proficiencies to gain this benefit.
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| − | ===Ability Score Improvement===
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| − | When you reach 4th level, and again at 8th, 12th, 16th, and 19th level, you can increase one ability score of your choice by 2, or you can increase two Ability Scores of your choice by 1. As normal, you can’t increase an ability score above 20 using this feature.
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| − | ===Font of Inspiration===
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| − | Beginning when you reach 5th level, you regain all of your expended uses of Bardic Inspiration when you finish a short or Long Rest.
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| − | ===Countercharm===
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| − | At 6th level, you gain the ability to use musical notes or words of power to disrupt mind-influencing effects. As an action, you can start a performance that lasts until the end of your next turn. During that time, you and any friendly creatures within 30 feet of you have advantage on saving throws against being Frightened or Charmed. A creature must be able to hear you to gain this benefit. The performance ends early if you are Incapacitated or silenced or if you voluntarily end it (no action required).
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| − | ===Magical Secrets===
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| − | By 10th level, you have plundered magical knowledge from a wide spectrum of disciplines. Choose two Spells from any class, including this one. A spell you choose must be of a level you can cast, as shown on the Bard table, or a cantrip.
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| − | The chosen Spells count as bard Spells for you and are included in the number in the Spells Known column of the Bard table.
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| − | You learn two additional Spells from any class at 14th level and again at 18th level.
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| − | ===Superior Inspiration===
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| − | At 20th level, when you roll initiative and have no uses of Bardic Inspiration left, you regain one use.
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| − | ==College of Lore==
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| − | Bards of the College of Lore know something about most things, collecting bits of knowledge from sources as diverse as scholarly tomes and peasant tales. Whether singing folk ballads in taverns or elaborate compositions in royal courts, these bards use their gifts to hold audiences spellbound. When the applause dies down, the audience members might find themselves questioning everything they held to be true, from their faith in the priesthood of the local temple to their loyalty to the king.
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| − | The loyalty of these bards lies in the pursuit of beauty and truth, not in fealty to a monarch or following the tenets of a deity. A noble who keeps such a bard as a herald or advisor knows that the bard would rather be honest than politic.
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| − | The college’s members gather in libraries and sometimes in actual colleges, complete with classrooms and dormitories, to share their lore with one another. They also meet at festivals or affairs of state, where they can expose corruption, unravel lies, and poke fun at self-important figures of authority.
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| − | ===Bonus Proficiencies===
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| − | When you join the College of Lore at 3rd level, you gain proficiency with three skills of your choice.
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| − | ===Cutting Words===
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| − | Also at 3rd level, you learn how to use your wit to distract, confuse, and otherwise sap the confidence and competence of others. When a creature that you can see within 60 feet of you makes an Attack roll, an ability check, or a damage roll, you can use your reaction to expend one of your uses of Bardic Inspiration, rolling a Bardic Inspiration die and subtracting the number rolled from the creature’s roll. You can choose to use this feature after the creature makes its roll, but before the GM determines whether the Attack roll or ability check succeeds or fails, or before the creature deals its damage. The creature is immune if it can’t hear you or if it’s immune to being Charmed.
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| − | ===Additional Magical Secrets===
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| − | At 6th level, you learn two Spells of your choice from any class. A spell you choose must be of a level you can cast, as shown on the Bard table, or a cantrip.
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| − | The chosen Spells count as bard Spells for you but don’t count against the number of bard Spells you know.
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| − | ===Peerless Skill===
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| − | Starting at 14th level, when you make an ability check, you can expend one use of Bardic Inspiration. Roll a Bardic Inspiration die and add the number rolled to your ability check. You can choose to do so after you roll the die for the ability check, but before the GM tells you whether you succeed or fail.
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Bards use the power of words and musical notation to cast a plethora of useful spells. Their natural charisma and ability to inspire those around them makes them desirable allies.
Bards in Arthos
"Yes, the world itself has a rhythm. The tempo changes with her mood and you just have to listen for that; be a good listener. More importantly you have to bring something of your own to the conversation, a creative spark, a vulnerability. It's not enough to just play the tempo back. You have to add a melody and that takes guts to 'yes and' to your muse like that. To go off the script. But when that magic happens, the bliss is palpable like first love. That's why bards do what we do."
- —Heinja Kord, lyrist
Practice
To become a bard is to access the magic of The Source through a creative means. Most often this talent manifests through musicality. As part of their training, bards will be expected to learn an instrument and/or hone their singing. While anyone can be taught musical technique, the intuition to channel Arthos' heartbeat must come through sincere focus. For those who discover the tempo, whether they realize it or not, it becomes a lucrative profession and a lifelong passion.
Performers
In order to earn a living, bards often get their start working as regular musicians. They may work as soloists, buskers, or band members playing for passersby or tavern guests. So long as people are present to appreciate the bard's craft, they can at least scrape together a modest living and hone their craft in the process.
Court Musicians
For many, the ultimate goal of performing professionally is to land a job playing for the outrageously wealthy and privileged. The allure of gaining such high prestige and salary makes it a competitive position that few achieve. In addition, suitably powerful court musicians can protect their audience from magical ambush in lieu of a court wizard, an oft unappreciated benefit of having loyal bards on your payroll.
Orators
Orators, sometimes referred to as "poets" by the bardic community, are bards who use the art of language itself to fuel their magic. They accomplish this by perfectly timing their spoken meter to Arthos' heartbeat. Orators can be outrageously charismatic figures, insinuating themselves into the social fabric as politicians, religious leaders, and revolutionary thinkers.
Note: Some player characters are listed as Orators. This refers to a depreciated homebrew class from an earlier version of Arthos' game system.
Bardic Artists
An extremely rare variation of bard are those who work within the visual arts: painters, sculptors, even architects. These bards tend to be humble compared to musical bards, especially given how their art lacks the immediacy required for bardic magic in practical applications. For this reason, they are unlikely to become adventurers.
Adventurers
Bards are the darlings of adventuring parties. Their charisma makes them natural candidates for the 'face' of the group and their largely supportive repertoire slots them neatly into any party composition. Bards who turn to adventuring are likely seeking wealth, fame, or inspiration. Though any number of personal reasons can push a bard out of their safety zone.
Resources
